citation needed Unlike traditional puppet shows, Pili uses computer generated imagery (CGI) during action sequences. It is one of the most popular TV shows in Taiwan. It is a combination of traditional wood-carving, embroidery, music and. Demigod offers an origin story for Su, a character that has been much-loved in the series for decades. Glove puppetry, or Taiwanese puppetry (Budaixi) was an important part of early folk activities in Taiwan. Pili Puppetry is a well-known Taiwanese glove puppet series, which transposes wuxia tales of martial arts chivalry to a fantasy setting. Through Taiwan Cultural Memory Bank, those who are interested in learning can learn puppetry techniques by watching and copying the movements in the film. Pili (Traditional Chinese:, Peh-o-j: Phek-lek, 'Thunderbolt') is a glove puppetry show from Taiwan.It is made by Pili International Multimedia.The TV series debuted in 1984, and it still continues today. Demigod: The Legend Begins proves a celebration of Su Huan-jen, one of the mainstays of Pili Puppetry. “You have to infuse the puppets with soul when you perform,” said Chen in “Father.” Chen devotes his whole life to improving puppetry performance and introducing the traditional culture to younger audiences.ĭirected and shot on high-definition video by Yang Li-chou (楊力州), who spent 10 years documenting Chen’s life as a puppeteer, “Father” records how puppeteers manipulate puppets and presents the isolated movements of three performances by Chen. In addition to Pili Glove Puppetry, whose exquisite productions are exported to Japan, there are different kinds of puppetry troupes dedicated to preserving the traditional performance art in Taiwan.įor instance, the Golden Light Puppetry, which uses bigger and heavier glove puppets, is more prevalent in southern Taiwan. ![]() His performance skills enable puppets to present diverse and vivid movements, making them look like they are alive. Glove puppetry ( Chinese: pinyin: bùdàixì Peh-e-j: pò-t-hì) is a type of opera using cloth puppets that originated during the 17th century in Quanzhou or Zhangzhou of Chinas Fujian province, and historically practised in the Min Nan-speaking areas such as Quanzhou, Zhangzhou, the Chaoshan region of Guangdong, and other parts of southern China. As the only Taiwanese artist that was recognized by the Ministry of Culture as the preserver of both traditional glove puppetry and classical glove puppet clothing and headwear props, Chen has been dedicating his life to promoting the traditional puppetry.
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